It is not too much to expect that, in Margaret Lockwood, the British picture industry has a possibility of developing a star of hitherto un-anticipated possibilities. "Hollywood revolutionised women's faces," Marsh explained, "Suddenly you were seeing these HUGE women's faces, bigger than we had ever seen them before." Margaret Lockwood (1916-1990) was Britain's number one box office star during the war years. With Margaret Lockwood, James Mason, Patricia Roc, Griffith Jones. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as Toots, who was also to become a successful actress. During the 1940s, she starred in some blockbusters, including Hungry Hills, The White Unicorn, Cardboard Cavalier, and others. The amount of cleavage exposed by Lockwood's Restoration gowns caused consternation to the film censors, and apprehension was in the air before the premiere, attended by Queen Mary, who astounded everyone by thoroughly enjoying it. Hear, hear! After poisoning several husbands in "Bedelia" (1946), Lockwood became less wicked in "Hungry Hill", "Jassy", and "The White Unicorn", all opposite Dennis Price. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. The excitement of walking on in Noel Cowards mammoth spectacular, Cavalcade, at Drury Lane in 1931 came to an abrupt conclusion when her mother removed her from the production after learning that a chorus boy had uttered a forbidden four-letter expletive in front of her. Though, we doubt they'd be the only ones perplexed by the idea. He hopes one day "moles and other individual qualities" will be embraced. She wouldn't have been the only one to fake it, though. If you've ever heard of a beauty mark being labeled a birthmark, that's not exactly fake news. She was reunited with her mother on TV in The Royalty (1957-58), as mother and daughter Mollie and Carol running a posh London hotel, and its 1965 sequel, The Flying Swan. So, while Cindy Crawford and other big names with facial molesare often credited with having iconic beauty marks, celebs with body moles aren't given quite the same label. Margaret Lockwood was appointed a Commander of the Order of the British Empire (CBE)[52] in the 1981 New Year Honours. [17][18], Lockwood returned to Britain in June 1939. This was even more daring in its depiction of immorality, and the controversy surrounding the film did no harm at the box office. She also starred in the television series Justice (197174). In 1920, she and her brother, Lyn, came to England with their mother to settle in the south London suburb of Upper Norwood, and Margaret enrolled as a pupil at Sydenham High School. Vascular birthmarks, on the other hand, are formed when "extra blood vessels clump together." The Leons separated soon after her birth and were divorced in 1950. Her gentle beauty was heightened by different degrees of melancholy inBank Holiday(1938) andThe Lady Vanishes(1938), undimmed by her playing an indolent, pouting trollop inThe Stars Look Down(1939), and coarsened by the twisted thoughts of her Regency-era social climber Hesther in The Man in Grey (1943), her highwaywoman Barbara Worth inThe Wicked Lady(1945), her psychopathic title characterinBedelia(1946). [49], She then appeared in a thriller, Cast a Dark Shadow (1955) with Dirk Bogarde for director Lewis Gilbert. The last flickers of virginal sweetness in Lockwoods persona were extinguished by her portrayals of Hesther and Barbara Worth in morally ambivalent films based on novels bywomen. alcohol. Leigh was a great classical actress and a member of Hollywood and West End royalty, but Lockwood was one of us. The promise of a screen test with Columbia Pictures came to nothing apart from the nose operation and filed teeth that she had in preparation for it. She was a warden in The White Unicorn (1947), a melodrama from the team of Harold Huth and John Corfield. Switch to the light mode that's kinder on your eyes at day time. Lady barrister Harriet Peterson tackles cases in London. She is commemorated with a blue plaque at her childhood home, 14 Highland Road in Upper Norwood. The title of The Lady Vanishes is thought to refer to the kidnapped British spy Miss Froy (May Whitty), but it is the prim lady in Lockwoods Iris Henderson that vanishes under the influence ofMichael Redgraves charming musicologist with his battery of phallic symbols. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Lockwood had a change of pace with the comedy Cardboard Cavalier (1949), with Lockwood playing Nell Gwyn opposite Sid Field. These films have not worn particularly well, but. In 1954 she also took the title role in a BBC production of Alice in Wonderland, which she had performed at Q theatre in Kew, south-west London, on her stage debut the previous Christmas. [33] She also appeared in an acclaimed TV production of Pygmalion (1948). Lockwood married Rupert Leon in 1937, and the marriage lasted for 13 years. She appeared on TV in Ann Veronica and another TV adaptation of the Shaw play Captain Brassbound's Conversion (1953). Yet much more than Leigh, especially after Scarlett OHara, Lockwood was the kind of girl youd want to walk home from the pictures in the blackout, or, if you yourself were a girl, walk home with arm-in-arm, dodging puddles and drunkenconscripts. In 1938, Lockwoods role as a young London nurse in Carol Reeds film, Bank Holiday, established her as a star, and the enormous success of her next film, Alfred Hitchcocks taut thriller The Lady Vanishes, opposite Michael Redgrave, gave her international status. Her contract with Rank was dissolved in 1950 and a film deal with Herbert Wilcox, who was married to her principal cinema rival, Anna Neagle, resulted in three disappointing flops. [21] Her return to acting was Alibi (1942), a thriller which she called "anything but a success a bad film. "Because the term 'beauty marks' has an aesthetic connotation, we generally tend to call moles on the face beauty marks, while the same exact mole elsewhere on the body is just called a mole," Schultz clarified. In the 1930s, she appeared in a variety of stage plays and made her name. These were standard ingnue roles. In 1948, she made her television debut in the role of Eliza Doolittle in the series Eliza Doolittle. [47], Her next two films for Wilcox were commercial disappointments: Laughing Anne (1953) and Trouble in the Glen (1954). [29] She refused to appear in Roses for Her Pillow (which became Once Upon a Dream) and was put on suspension. And even if that new mole is fine today, that doesn't mean it will be tomorrow. Her likeable core personality made her characters, whether good or evil, easy for women to identify with. October 17, 1937 - 1950 (divorced, 1 child), The Slipper and the Rose: The Story of Cinderella, Karachi, British India [now Karachi, Pakistan]. No weekends or evenings required. Margaret Lockwood died of cirrhosis of the liver in Kensington, London on 15th July, 1990, aged 73. It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. Prior to leaving, she bravely performs for the plays audience her welling Cornish Rhapsody (written for the film byHubert Bathand made famous by it) while Kit is having a life-threatening operation to save his sight and because Judy is too distraught to go on. Even still, the trend took off and transformed intodecorative patchesormouches("flies" in French), in which faux moles made of colorful silk, taffeta, and leather were applied to the face. These days, Crawford realizes that her well-placed spot helps her remain recognizable and unique. In 1933, Lockwood enrolled at the Royal Academy of Dramatic Art in London, where she was seen by a talent scout and signed to a contract. When asked about this, he referred to the foul grimace her character Julia Stanford readily expressed in the TV play Justice Is a Woman. Lockwood later admitted "I was far from being reconciled to my role of the unpleasant girl and everyone treated me warily. Articles from Britannica Encyclopedias for elementary and high school students. As such, the shape, color, and even texture can vary. She had a small role in Who's Your Lady Friend? Margaret Lockwood moved to 2 Lunham Rd, London SE19 1AA in 1920. A report published by theJournal of the American Academy of Dermatology(via NCBI) highlighted the "disfiguring scars" left in the disease's wake. However, her best-remembered performances came in two classic Gainsborough period dramas. The Lady Vanishes: The Criterion Collection [Blu-Ray]. Lockwood gained custody of her daughter, but not before Mrs Lockwood had sided with her son-in-law to allege that Margaret was "an unfit mother.". It was one of the cycle of Gainsborough Melodramas . Stone appeared with her in her award winning 1970s television series, "Justice", in which she played a woman barrister, but after 17 years together, he left her to marry a theatre wardrobe mistress. [5][6][7] This was at 4,000 a year.[8]. Listed on 2023-02-26. Privacy Policy. It's all Marilyn Monroe's fault," singer Kelly Rowland told People. 3.7 Stars and 24 reviews of Lisa Family Salon "For being in So Cal for only 6 months, I have only gotten my hair cut once and that was back in Nor Cal when I went home to visit family. 17th-century beauty Barbara Worth starts her career of crime by stealing her best friend's bridegroom. Actors: Margaret Lockwood, James Mason, Patricia Roc. Collect, curate and comment on your files. The Wicked Lady: Directed by Leslie Arliss. She was the female love interest in Midshipman Easy (1935), directed by Carol Reed, who would become crucial to Lockwood's career. She called it My first really big Picture. While its hard to imagine Carey Mulligan or Keira Knightley being asked to offer up a Romantic paean to life within a few minutes, the demand on Lockwood made sense during the live for now atmosphere of World War II and she pulled off the flow with sustainedintensity. Her mother was Margaret Lockwood, raven-haired lead in the Gainsborough studio's period melodramas of the 1940s, including The Wicked Lady. She had one last film role, as the stepmother with the sobriquet, "wicked", omitted but implied, in Bryan Forbes's Cinderella musical, "The Slipper and the Rose" in 1976. Listing for: Sport Clips - Stylist - CA519. The Wicked Lady (1945) Drama - Margaret Lockwood, James Mason and Patricia Roc Classic Movies 177 subscribers Subscribe 18K views 2 years ago A noblewoman begins to lead a dangerous double life. In contrast, even natural moles were looked at as "a mark of disgrace," Madeleine Marsh, author of The Compacts and Cosmetics: Beauty from Victorian Times to the Present Day, explained toBBC. She was best known for her roles in The Lady Vanishes (1938) and The Wicked Lady (1945) but also enjoyed a successful stage and television career. Search instead in. [citation needed] She was a guest on the BBC radio show Desert Island Discs on 25 April 1951.[53]. The film had one of the top audiences for a film of its period, 18.4 million. She had one last film role, as the stepmother with the sobriquet, wicked, omitted but implied, in Bryan Forbess Cinderella musical The Slipper and the Rose in 1976. [35], That same year, Lockwood was announced to play Becky Sharp in a film adaptation of Vanity Fair but it was not made. Lockwood was reunited with James Mason in A Place of One's Own (1945), playing a housekeeper possessed by the spirit of a dead girl, but the film was not a success. She was borrowed by Paramount for Rulers of the Sea (1939), with Will Fyffe and Douglas Fairbanks Jr.[15] Paramount indicated a desire to use Lockwood in more films[16] but she decided to go home. Later, aged 16 and playing Wendy, she joined her mother in the 1957 Christmas production. [1] She returned to England in 1920 with her mother, brother 'Lyn' and half-brother Frank, and a further half-sister 'Fay' joined them the following year, but her father remained in Karachi, visiting them infrequently. Long live the mouches! Images of the British actress, Margaret Lockwood. The Leons separated soon after her birth and were divorced in 1950. In an interview withRedbook, Ranella Hirsch, a dermatologist and senior medical advisor to Vichy Laboratoires, further warned,"New things on your skin tend to be bad." Margaret Mary Lockwood, the daughter of an English administrator of an Indian railway company, by his Scottish third wife, was born in Karachi, where she lived for the first three and a half years of her life. And why do people love them or hate them? Miss Margaret Lockwood, CBE, film, stage and television actress who became Britain's leading box-office star in the 1940s, died of cirrhosis of the liver in London on 15th July, 1990 aged 73. The film was the most successful at the British box office in 1946, and she won the first prize for most popular British film actress at the Daily Mail National Film Awards. 10-06-22 . In 1955, she gave one of her best performances, as a blowsy ex-barmaid in "Cast a Dark Shadow", opposite Dirk Bogarde, but her box office appeal had waned and the British cinema suddenly lost interest in her. Your email address will not be published. As both parents were rarely around at that point, Julia spent the war years with her grandmother and a nanny. Then, in 1972, she married the actor Ernest Clark, best known as the irascible Geoffrey Loftus in Doctor in the House and its TV sequels, and her fellow star in the Ray Cooney farce The Mating Game (Apollo theatre, 1972). Margaret Lockwood, CBE, film, stage and television actress, who became Britain's leading box-office star in the 1940s, died in London on July 15 aged 73. Several kings and queens even succumbed to the disease and, according to History.com, it is thought that 400,000 commoners died each year as a result. In 1969 she starred as barrister Julia Stanford in the TV play Justice is a Woman. In addition to her role in a wide variety of films, she was a vibrant brunette with a beauty spot on her left cheek. Rank was to put her in an adaptation of Ann Veronica by H. G. Wells but the film was postponed. clerk, was educated in London and studied to be an actress at the Her childhood was repressed and unhappy, largely due to the character of her mother, a dominant and possessive woman who was often cruelly discouraging to her shy, sensitive daughter. In 1980, she made her final professional appearance as Queen Alexandra in Royce Rytons theatrical play Motherdear.. An unpretentious woman, who disliked the trappings of stardom and dealt brusquely with adulation, she accepted this change in her fortunes with unconcern, and turned to the stage where she had a success in "Peter Pan", "Pygmalion", "Private Lives", and Agatha Christie's thriller "Spider's Web", which ran for over a year. Some of Lockwood's scenes had to be re-shot for American audiences not accustomed to seeing dcolletages. before completing her training at the Royal Academy of Dramatic Art. As Lissa plays, she experiences anguish, regret, and rapture, her pain sometimes indistinguishable from orgasmic ecstasy. [42] She turned down the female lead in The Browning Version, and a proposed sequel to The Wicked Lady, The Wicked Lady's Daughter, was never made. Lockwood studied at the Royal Academy of Dramatic Art, Englands leading drama school, and made her film debut in Lorna Doone (1935). 1948 3rd most popular star and 2nd most popular British star in Britain, 1949 5th most popular British star in Britain, This page was last edited on 25 February 2023, at 07:39. Boards are the best place to save images and video clips. Karachi-born Margaret Lockwood, daughter of a British colonial railway clerk, was educated in London and studied to be an actress at the Italia Conti Drama School. Julia Lockwood during filming for the BBC science fiction series Out of the Unknown in 1968. As a result, Margaret took refuge in a world of make believe and dreamed of becoming a great star of musical comedy. Her other small-screen roles included the bargees daughter Julia Dean in the sitcom Dont Tell Father (1959), Martha Barlow in the suspense serial The Six Proud Walkers (1962), the marriage-breaking secretary Anthea Keane in the magazine soap Compact during 1963, and Samantha in the TV sitcom version of Birds on the Wing (1971), alongside Richard Briers, with whom she starred in the radio comedy Brothers in Law (1971-72). Allied to this is the fact that she photographs more than normally easily, and has an extraordinary insight in getting the feel of her lines, to live within them, so to speak, as long as the duration of the picture lasts. They appeared together again in the romantic melodrama The White Unicorn (1947). [citation needed], She was the subject on an episode of This Is Your Life in December 1963. Margaret Lockwood visits Luton on February 16, 1948 to see the town at work and is greeted at the Town Hall by the mayor, Cllr W.J. Sign up for BFI news, features, videos and podcasts. "[39], She returned to film-making after an 18-month absence to star in Highly Dangerous (1950), a comic thriller in the vein of Lady Vanishes written expressly for her by Eric Ambler and directed by Roy Ward Baker. Her RADA-trained voice was posh, of course, but not supercilious.Her gentle beauty was heightened by different degrees of melancholy in Bank Holiday (1938) and The Lady Vanishes (1938), undimmed by her playing an indolent, pouting trollop in The Stars Look Down (1939), and coarsened . Instead she was a murderess in Bedelia (1946), which did not perform as well, although it was popular in Britain.[27]. It was nerve wracking to have to find that now that I live in Fullerton. [9] This movie was a hit and launched Lockwood as a star. When Barbara smothers the godly old servant (Felix Aylmer) whos lingering on after drinking her poison, she was speaking for all mid-40s women who were impatient to dispense with patriarchalcant. And I loved it. InLove Story(1944), a florid romance about the need for self-sacrifice during wartime, Lockwood plays Lissa, a concert pianist who cannot become a Women Air Force Service pilot because she has a weak heart. MICHAEL REDGRAVE & MARGARET LOCKWOOD Character (s): Gilbert & Iris Henderson Film 'THE LADY VANISHES' (1938) Directed By ALFRED HITCHCOCK (Allstar/GAINSBOROUGH) SHE was the Queen Of The Silver . When the author Hilton Tims was preparing his biography, Once a Wicked Lady, a stall holder from whom he was buying some flowers for her, snatched up a second bunch and said, Give her these from me. Registered charity 287780, Watch Margaret Lockwood films on BFI Player, In praise of 1940s icon and Lady Vanishes star Margaret Lockwood. [44], In 1952, Lockwood signed a two picture a year contract with Herbert Wilcox at $112,000 a year, making her the best paid actress in British films. In 1975, film director Bryan Forbes persuaded her out of an apparent retirement from feature films to play the role of the Stepmother in her last feature film The Slipper and the Rose. Edwards, before she visits Skefko, Vauxhall and Electrolux and two cinemas - the Odeon in Dunstable Road and the Palace in Mill Street, whose manager, Mr S. Davey, had arranged the tour. Rank wanted to star her in a film about Mary Magdalene but Lockwood was unhappy with the script. [36], Lockwood was in the melodrama Madness of the Heart (1949), but the film was not a particular success. Anentire faux mole industry was born and a street in Venice, Calle de le Moschete, was named in its honor. The film inaugurated a series of hothouse melodramas that came to be known as Gainsborough Gothic and had film fans queueing outside cinemas all over Britain. Margaret Lockwood was a famous British actress and the leading lady of the late 1940s. Margaret Mary Day Lockwood, CBE (15 September 1916 - 15 July 1990), was an English actress. [12], She followed this with A Girl Must Live, a musical comedy about chorus girls for Black and Reed. To use social login you have to agree with the storage and handling of your data by this website. She followed it with Irish for Luck (1936) and The Street Singer (1937). Please like & follow for more interesting content. When peace came, her mother was keen for her daughter to follow in her footsteps. As stated earlier, Monroe's trademark mole may not have been real. The first of these, The Man in Grey (1943), co-starring James Mason, was torrid escapist melodrama with Lockwood portraying a treacherous, opportunistic vixen, all the while exuding more sexual allure than was common for films of this period. She had a bit part in the Drury Lane production of "Cavalcade" in 1932 . This was the first of her "bad girl" roles that would effectively redefine her career in the 1940s. Barbara insouciantly dons the costume and pistols of a villainous male archetype associated with sexual conquests: the assumption of a highwaymans costume connotes both womens assumption of dangerous jobs formerly done by men and their liberation as sexually independent beings, both products of the war. She was meant to make film versions of Rob Roy and The Blue Lagoon[19] but both projects were cancelled with the advent of war. Cindy Crawford and other big names with facial moles. Shortly afterwards, in her early 30s, she gave up acting to concentrate on bringing up her four children. One of Britain's most popular film stars of the 1930s and 1940s, her film appearances included The Lady Vanishes (1938), Night Train to Munich (1940), The Man in Grey (1943), and The Wicked Lady (1945). Seven ingenue screen roles followed before she played opposite Maurice Chevalier in the 1936 remake of The Beloved Vagabond. Ive been pretty lonely at times.. "It was the cutest stinking mole, and I was sold," she admitted. Among her best performances was that in 1938, when Alfred Hitchcock cast her in The Lady Vanishes (1938), opposite Michael Redgrave, then a relative newcomer to Hollywood. Had Lockwoods Darjeeling-born brunette rivalVivien Leigh, a voracious careerist, focused less on theatre which allowed her five 1940s films only, compared with Lockwoods 19 (and a TV Pygmalion) she would have likely eaten into Lockwoods CV. Samuel Pepys, who originally prohibited his wife from wearing one, had a change of heart. Cindy Crawford, for example, is notorious for her iconic "blemish." Yet, even she considered having surgery to get . Who knew the social science behind moles could be so complicated? Lockwood, born to a Scottish woman and her English railway clerk husband in Karachi on 15 September, was the most glamorous and dynamic of the female stars. A free trial, then 4.99/month or 49/year. ", Even by the mid-1800s, not everyone had opened their minds likePepys. If a woman were to wear the appliqud beauty mark on the left side of her face, this would mean she supported the Tory political party. Even more popular was her next movie, The Lady Vanishes, directed by Alfred Hitchcock, produced by Black and co-starring Michael Redgrave. Margaret Lockwood moved out of 30 Highland Rd, London in 1937. This started filming in November 1939. But what better way to hide one of those "disfiguring scars" than with a cleverly placed beauty mark? A year later, she played another fairy, for 30 shillings a week, in Babes in the Wood at the Scala Theatre. The film's worldwide success put Lockwood at the top of Britain's cinema polls for the next five years. In your lifetime, beauty marks have likely been seen as a sign of, well, beauty. In 1941, she gave birth to a daughter by Leon, Julia Lockwood, affectionately known to her mother as "Toots", who was also to become a successful actress. Contents 1 Plot 2 Cast 3 Production 4 Reception [24] She was featured alongside Phyllis Calvert, James Mason and Stewart Granger for director Leslie Arliss. According toBBC,stars, hearts, and half moons were all popular choices back in the day. Lockwood was born on 15 September 1916 in Karachi, British India, to Henry Francis Lockwood, an English administrator of a railway company, and his third wife, Scottish-born Margaret Eveline Waugh. Yet, even she considered having surgery to get rid of it. Full Time, Part Time position. The flow of performances by Lockwood in the 1940s meanwhile amount to a consistent grappling and overcoming of victimhood. The third actress daughter of the Raj - following Merle Oberon and Vivien Leigh - she was born on 15th September, 1916. Julia Lockwood (Margaret Julia Leon), actor, born 23 August 1941; died 24 March 2019, Screen and stage actor who was a regular in West End productions in the 1960s, Philip French's screen legends: Margaret Lockwood, Original reporting and incisive analysis, direct from the Guardian every morning. An atmospheric ghost story based on the 1940 novel of the same title by Osbert Sitwell, it stars James Mason, Barbara Mullen, Margaret Lockwood, Dennis Price and Dulcie Gray.