Jimmy Page played one in Led Zeppelin. The original 'it girl' of the amp world, the JCM800 is truly unforgettable. Description. We use session and persistent cookies on this website. The popularity for the 100 watt amp exploded through the late 60s due to the power, tone and sheer volume of the Plexi. Fair condition gear should function but will show noticeable cosmetic damage or other issues. EUR Room Mic Pan knob: 100% L to 100% R Developed by Softube and available exclusively for UAD-2 . A faithful emulation of Marshall's own reference Plexi Super Lead 1959 amplifier from their museum, built in 1967, combined with an era-correct 1960BHW speaker cabinet recorded by famous engineer/producer Tony Platt. Trower has described James Brown as his "big hero", particularly Brown's early work "where blues is crossing over into rock and roll". \rLearn more here: https://softube.com/marshall-plexi\rSay hi in the comments, or:\rTwitter - http://twitter.com/SoftubeStudios\rFacebook - http://www.facebook.com/SoftubeStudios\rInstagram - http://instagram.com/SoftubeStudios\r\r Subscribe to this channel - http://www.youtube.com/SoftubeStudios?sub_confirmation=1 \rand click the notification bell to keep informed ;) All rights reserved. Same thing. https://www.pluginboutique.com/products/6128-Marshall-Plexi-Super-Lead-1959, https://www.pluginboutique.com/system/resources/srcs/000/057/236/main/marshall-plexi-SL-1959-main-gui-PluginBoutique.jpg?1581356699, Softube Marshall Plexi Super Lead 1959, Buy Softube Marshall Plexi Super Lead 1959, Download Softube Marshall Plexi Super Lead 1959 at Plugin Boutique.com, A faithful emulation of Marshalls own reference Plexi Super Lead 1959 amplifier from their museum, built in 1967, combined with an era-correct 1960BHW speaker cabinet recorded by famous engineer/producer Tony Platt, Microphone selections and placements by Tony Platt, captured in famous Kore Studios, London, Over 50 finely tuned presets designed by AC/DC engineer Tony Platt, Three different microphone combination setups available FET, Valve, and Dynamic, Three separate mics per setting, two close and one room, 'Channel Strip' includes pans, volume faders, and solo for each mic, plus a two band 'Main Out' EQ, macOS Big Sur 11, Monterey 12, Ventura 13, Computer with AU, VST, VST3, and/or AAX-compatible DAW host software, Internet access (for downloading installers and managing licenses). Read time - 2 mins "The 1959 SLP head is everything you need from an amp.What more could you ask for in a rock band? He was given his own signature Fulltone Robin Trower Overdrive in late 2008. Detuning them a half-step or more lower eases the tension and provides greater control. This is more than just an amp sim. Softube Marshall SL Clean by Sound On Sound, Universal Audio Galaxy 74, Del-Verb & Max, AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB. [1] There were other modifications: In 1966, the KT66 tubes of the JTM-models were replaced with EL34. Latterly, there seems to have been a bit of forum mania for snipping the bright caps out of Super Leads, or at least just subbing them for a more conventional value. Its just like having a real amplifier with a miked up speaker cabinet in a high-end studio with the added convenience of more options to patch in any kind of studio tool you need anywhere in the chain. [11], On 18 February 2022, Trower announced his latest studio album, No More Worlds To Conquer, alongside its title track. Ch 1 Low, + Ch 1 High patched to Ch 2 Low, + Ch 1 High patched to Ch 2 High Get the one and only Plexi Super Lead 1959, and ground your tone in pure rock. To anyone that called this "unmusical," I can say that that is not my experience at all. A real Super Lead's tone controls are not especially nuanced it was not uncommon for Marshall amps of this era to be used in such a way that only Volume and Presence were anywhere other than 10. Get the one and only Plexi Super Lead 1959, and ground your tone in pure rock. Plexi. If you already own Amp Room, you definitely need this amp. Loaded with 4 Sovtek 5881 / 6l6WGC tubes, and 3 Ruby 7025SS / 12AX7A tubes. [8], In 2016, he enjoyed a successful tour of the US. In addition to the amp itself, the plug-in provides a complete setup and workflow for getting mix-ready sounds. This reissue remains faithful to the original with its Plexi design and all-valve tone, with an additional FX loop for a modern twist. But when you want 'that sound' it certainly can be found in this plug-in, and for that alone it might deserve a place in your tonal toolkit. Very close to the original. Thirteen albums later, Trower's album Living Out of Time (2004) featured the return of veteran bandmates Dave Bronze on bass, vocalist Davey Pattison (formerly with Ronnie Montrose's band Gamma) and Pete Thompson on drumsthe same line-up as the mid-1980s albums Passion and Take What You Need. Three different microphone combos FET, Valve, and Dynamic were recorded by Platt at Kore Studios in London, and the results can be blended and tweaked in the side panel of the plug-in. Broadcast, Long Wave, Short Wave plus FM or UHF. Introducing the limited edition Marshall 1959HW Bernie Marsden signature amp. Known for providing classic crunch, monster overdrive and shimmering clean tones; we look back at 20 years of the DSL. Based off the 1959SLP, the amp that defined the tone of the 60s, the Studio Vintage is here to do it all over again! There is perhaps no other amplifier more vital to the history of rock & roll than the Marshall Plexi Super Lead 1959. TDM/VENUE/RTAS are no longer supported. Amp Roomis the pro audio guitar and bass platform, designed with sound quality as top priority. A Super Lead 100 sat atop two 4 x 12 Celestion-loaded cabs is still for many players the definitive rock guitar rig. The answer? 1959 ? Reverb: None. For this cleaner example I've backed off both channel volumes by about 10 percent and reduced the mid control to well under half. All that channel strip makes a huge difference comparing to Classic which is a great plugin too. Equalizer Main Out High: -12 to +12 dB (bypass at 12 oclock) . Mic 2 Pan knob: 100% L to 100% R But wewant modern precision and workflow. A faithful emulation of Marshalls own reference Plexi Super Lead 1959 amplifier from their museum, built in 1967, combined with an era-correct 1960BHW speaker cabinet recorded by famous engineer/producer Tony Platt, Microphone selections and placements by Tony Platt, captured in famous Kore Studios, London, Over 50 finely tuned presets designed by AC/DC engineer Tony Platt, Three different microphone combination setups available FET, Valve, and Dynamic, Three separate mics per setting, two close and one room, 'Channel Strip'includes pans, volume faders, and solo for each mic, plus a two band 'Main Out'EQ, macOS Big Sur 11, Monterey 12, Ventura 13, Computer with AU, VST, VST3 and/or AAX compatible DAW host software, Internet access (for downloading installers and managing licenses). Joining Davey Pattison and Pete Thompson was Glenn Letsch (formerly of Gamma) playing bass. Starting from the third album, he detuned the strings a semitone to an Eb Tuning (Eb Ab Db Gb Bb Eb). Guitar amp classic from Marshall's museum. Apple macOS computers with Intel Core i3/i5/i7 or Apple silicon (M1 or newer) CPU. Initially, the super-powerful, 100-watt amp was paired with a huge 8x12 speaker cabinet, but soon the preference shifted to two 4x12s, one straight and one angled. Per typical the real deal is better, but this is very convenient. Softubes first prototype was a hardware DSP box running a Marshall amp model and a loudspeaker model. At 5000pF it is more than 10times the value commonly used in other amps, and it has a profound effect on the way the amp works. I love the character of the sound of this amp sim. The Marshall Super Lead was a brilliant 'live' amp, designed in the days when the on-stage guitar sound was often intended to fill the venue, with the PA being just for vocals. Guitarist and vocalist Oli Brown joined us for a musical tribute to our founder, Jim Marshall, the Father of Loud. I agree with earlier reviewer that it sounds like a Marshall with old tubes - very loose and spongy sounding. Find out more about the 90's icon. One of the famous Marshall Plexis, it was introduced in 1965 and with its associated 412 cabinets gave rise to the "Marshall stack". Softube's plug-in version, painstakingly modelled using a definitive example from Marshall's own historic collection, was originally developed for the UAD platform but has been made available now in native format, compatible with all major DAW hosts. Middle knob: 0 to 10 Any 64-bit VST, VST3, AU, or AAX (Pro Tools 11.0.2 or higher) compatible host application should work. I used this plugin as an amp for a fractal guitar session and it was fantastic. The Super Lead is a very bright-sounding amplifier: no modern design comes anywhere near to it for crunchy upper mid-range. from Dux Radio AB; Stockholm. Trower told Guitar Player Magazine in a July 1980 interview that he recommends every young player try a thicker set of strings. The Super Lead Reissue's four inputs. Despite the relatively high gain, self-noise is acceptably low, and quite comparable to the real thing, in my experience. The real amp at this level would still clean up nicely with the guitar volume control backed off, even with humbuckers a trick that the plug-in doesn't seem to manage to quite the same extent. In French: TSF for Tlgraphie sans fil. He has recently been using Fulltone pedals and effects. Learn more about our partnership with Marshall. Finish: Black. Again no EQ or dynamics processing used, but there's the same tape delay and plate reverb as the other example, just a touch more of it. Microphone selections and placements by Tony Platt, captured in Kore Studios, London [1], The lead channel has a boosted bright tone, and the rhythm channel has a flatter response. Softubes first prototype was a hardware DSP box running a Marshall amp model and a loudspeaker model. Softube retained the services of Tony Platt, engineer for AC/DC on some of the most face-meltingly rocktastic albums of all time, to capture impulse responses from a perfect era-appropriate 1960BHW cabinet with a variety of expertly placed vintage microphones. Uncover the story behind a true game changer. You can choose from 50 Platt-designed presets, or craft your own tones. Own one like this? By continuing to use Reverb, you agree to these updates, and to our cookie policy. "[10], The 1959 had 100 watts of power, two channels, and four inputs. In an effort to capture the ultimate Plexi sound, Marshall offered the talented developers at Softube a bone-stock, pristine 1967 Super Lead from its own museum. Getting the right depth and texture of sound, the right bite in the attack, the right snarl on the tail, is essential. It has some wear, but nothing you wouldn't expect from a for a 20+ years old head. It is a bit of a challenge for any software amplifier that isn't being fed by a known and preferably dedicated hardware interface to precisely replicate the behaviour of a passive guitar plugged directly into a tube amp. [4] . For $99 its crazy not to have this plug in if you're a guitarist. The journey to the Plexi began when Pete Townshend was once more asking for a louder amplifier. To ensure modern versatility we also added a Series FX Loop with a True Bypass switch feature. I plugged in my Les Paul and It took me no time at all to dial in one of my favorite recorded guitar sounds I had gotten out of my gear. Explore every fantastic facet of this amp's sound. Cream-era Clapton? Go from a warm, gritty twang right up to a searing wailing rock god solo scream, and never let The Man stand in your way. [7] The panels were actually made from much tougher polycarbonate plastic, but to the average American observer, it looked like the more familiar Plexiglas, and the name stuck. He was transported by ambulance to the hospital for treatment. "[9] Guitar Player magazine called the 1959 "monumentally huge, frightfully loud, and painfully expensive", and its review of the 1959HW said it was "quick, percussive, articulate," and required a "total commitment to volume. A faithful emulation of the Kerry King Signature amplifier, Marshall 2203KK a.k.a. [14], "Eddie van Halen Reveals His Biggest Lie", https://en.wikipedia.org/w/index.php?title=Marshall_1959&oldid=1145587974, This page was last edited on 19 March 2023, at 23:28. The name originates from its shiny, Plexiglas panel, commonly used on Marshall amps between 1965-1969. Discover how one humble amp became a legend. Softube is Marshalls exclusive software partner, and Amp Room comes with the only amps and cabs available in software form that are officially licensed and endorsed by Marshall. Category; Broadcast Receiver - or past WW2 Tuner ; Radiomuseum.org ID; 127406; Picture; Schematics; Technical Specifications. Marshall 1959 Super Lead Plexi Jimi Hendrix in full flow on Band of Gypsys? You may login with either your assigned username or your e-mail address. It gave the guitar a fully heavy tone. Bright caps allow high frequencies to bypass the volume pot, with their effect being greatest at low settings and diminishing eventually to nothing if the pot is turned all the way up. There are other circuit factors involved as well, but a lot of the Super Lead's extreme treble comes from the use of a particularly large value 'bright cap' (capacitor) strapped across the lead channel's volume control (channels are actually just labelled I and II). Currency: Made In: United Kingdom. You can disagree, but I'm too busy playing my guitar through this emulation to argue. At any setting, it responds exactly like the hardware, and its sensitive to your playing style like you wouldnt believe. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Eric Clapton, the "Plexi's," punishing melange of snarl, sustain, smoothness, and raunch defined the sound of rock. Developed by Softube and available exclusively for UAD-2 hardware and Apollo audio interfaces the Marshall Plexi Super Lead 1959 plug-in is an expert emulation of this 100-watt British classic. We recorded impulse responses from Kerrys own Marshall Mode Four 4x12 cabinets (featuring Celestion G12K-10012 speakers) at the famous Henson Recording Studios in Los Angeles with multiple professional mic selections and placements designed by iconic producer/engineer Terry Date, famous for his work with Deftones, Pantera, Dream Theater, and Overkill. Your purchases help youth music programs get the gear they need to make music. But, if you tweak the amp for a little less gain and pull out a bit of the mids, there are still some very nice, touch-sensitive clean sounds to be had. At any setting it responds exactly like the hardware, and its sensitive to your playing style like you wouldnt believe. Opens in a new window or tab. Eric Clapton traded in his Bluesbreaker combo for a Super Lead when he founded Cream in 1966. Brilliant in blue and dazzling in white, the 30th anniversary amps are sure to go down in history as some of the boldest ever made. I have thus enriched my possibilities. In addition to the amp itself, the plug-in provides a complete setup and workflow for getting mix-ready sounds. Learn More. Plugin Boutique or its Suppliers do not accept any liability in relation to the content of the product or the accuracy of the description. Rich, high-quality bass sound for any genre. Hendrix, Clapton, Beck, Page and Van Halen, to name just a few, have all created history with this amp, recording some of . Super Leads, in the real world, belong to a different era one in which the extreme distortion of modern metal amps was unimaginable and indeed probably considered undesirable. That's not altogether surprising as the physics of the two scenarios are quite different. Learn more about our partnership with Marshall. You can read more about how we use them in our cookiepolicy and how we process personal data in our privacy policy. In 2007, Trower released a third recording with Jack Bruce, Seven Moons, featuring Gary Husband on drums. [4] After those albums, he released another album with James Dewar on vocals titled Back It Up in 1983. This site uses cookies to improve your experience. [CDATA[ Get the best deals for marshall super lead at eBay.com. window.__mirage2 = {petok:"cGZlD8DwF1qe99.AFjTLEMLeeGX8Mei5sUHRONWhfZY-1800-0"}; We love VU meters,Bakelite knobs, andanalogquirks. Modelled after the 100W super lead of the late 60's, the 1959SLP exudes raw power and pure tone. The Super Lead's inherent brightness also made it a perfect partner for the darker top-end of a humbucker-equipped guitar, but it had its share of single-coil users too, and was particularly sweet on a Strat neck pickup, with the amp volume well up and the guitar volume backed off to avoid driving the input too hard a classic Jimi recipe, of course. Subscribe to get offers, tutorials & more. In 'Custom', each microphone is controlled as a studio channel strip that includes pans, volume faders, on/off, and phase, macOS Big Sur 11, Monterey 12, Ventura 13, Computer with AU, VST, VST3 and/or AAX compatible DAW host software, Internet access (for downloading installers and managing licenses). Marshall Plexi Super Lead 1959 F. Zaman I tried this with an EMG 81/60 loaded ESP and it was terrible. Cheers. Plugged an old Strat straight into the HiZ with this thing on Unison and the entire universe collapsed and I was reborn again as a fish. The answer? The 68 specification amps were a hit with Jimi Hendrix, Cream and The Who, creating huge amounts of exposure and marking the Plexi sound as the sound of rock. Your purchases also help protect forests, including trees traditionally used to make instruments. Robin Leonard Trower (born 9 March 1945) is an English rock guitarist who achieved success with Procol Harum throughout 19671971, and then again as the bandleader of his own power trio known as the Robin Trower Band. SoftubeExtended Features. Angus Young on Back in Black? Volume I knob: 0 to 10 It's a complete workflow for an amazing mix-ready guitar tone. Softubetook Marshalls own museum-piece Plexi (a pristine model from 1967) under extremely careful security and supervision and modelled each and every component to produce the most textured, detailed software version imaginable. "[13] Ten minutes later (approximately 9:00PM EDT) after playing back-to-back songs "Day of The Eagle" and "Bridge of Sighs", he announced on his microphone that he was not feeling well (he had flu symptoms), handed his guitar to a stage crew, walked backstage and collapsed. Anywhere above6 on an SL would start to get a bit loose and messy, and anywhere below4 could be quite thin and harsh. A 5000pF bright cap is passing not just high treble but a lot of mid-range too, so much so that it significantly skews the taper of the volume pot. It was then released on DVD and subsequently on CD throughout Europe and later the US under the title Living Out of Time: Live. [3] This outfit did not record and soon split up. Robin Trower was born in Catford, London, England, and grew up in Southend-on-Sea, Essex. We also released a 100W limited edition 1959HW Bernie Marsden signature amp too later that year. SpectreSoundStudios 505K subscribers Join Subscribe 1.1K Share Save 50K views 3 years ago Checking out the Marshall Plexi Super Lead 1959 sim from Softube!. Mic 2 Solo switch: On or Off Softube's plug-in seems to include the full 'bright-cap experience', and as a plug-in, of course, you can turn it up straight to the sweet spot without getting arrested a Super Lead on6, into a 4x12 was unbelievably loud and best experienced from about 10feet behind you! Graham Coxon, Johnny Ramone, John Frusciante, Slash. Updated: 23 March 2021. This attracted Marshalls interest and led to a successful long-term partnership between Softube and Marshall. Three different microphone combos FET, Valve, and Dynamic were recorded by Platt at Kore Studios in London, and the results can be blended and tweaked in the side panel of the plug-in. Find out how Natal's founder, Alan Sharp, revolutionised percussion manufacturing empowered drummers to take centre stage. Theres huge variety in this plug-in, and yet at every setting it sounds phenomenal; curated by the worlds leading engineers in these tones. The extreme brightness of the I (lead) channel made input jumping a popular option on a Super Lead, allowing you to blend in the deeper tones of the number II channel, and this is faithfully reproduced in the plug-in. The interaction of your guitars pickups to an amps front end is crucial to capturing the tone and feel of the amplifier. We took Marshalls own museum-piece Plexi (a pristine model from 1967) under extremely careful security and supervision, and modeled each and every component to produce the most textured, detailed software version imaginable. [1] The Paramounts disbanded in 1966 to pursue individual projects. Trower uses between one and three 100-watt Marshall heads with four to six cabinets on stage. Portable and perfect for small gigs and rehearsals, the Studio Vintage is easy on the eyes and ears, stylistically modelled after the classic Plexi with all that classic tone to boot. Plugin Boutique Limited, Part of the Beatport Group LLC. In over 50 years of Marshall, only a select handful of amps can come close to the legendary status of the Plexi amplifiers. j. Vita it's ok, but. Channel strip includes pans and volume faders for each mic, plus two band EQ, On/Off switch: On or off One of the famous Marshall Plexis, it was introduced in 1965 and with its associated 412 cabinets gave rise to the "Marshall stack". The OFFICIAL Marshall Plexi sim! In studio sessions, Trower uses a mix of amplifiers, such as a Fender Blues Junior and Cornell Plexi Amplifiers models to acquire different tonality. Watch us demo the 1959HW amp -- a faithful recreation of the legendary 1959SLP Handwired, famously used by Jimi Hendrix. All contents copyright SOS Publications Group and/or its licensors, 1985-2023. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. But wewant modern precision and workflow. Mic 2 volume fader: - to +12 dB Lewie Allen | Sam Smith | Studio Vintage Playthrough. By comparison, the most common choice of rock-and-roll lead players is .009", .011", .015". "The Beast" . Just before it breaks up there is a sound I love. Plexi. More significant adjustments take place in the Channel Strip pop-out window, where you can set the choice and relative volumes of two close mics and a room mic. I tried this with an EMG 81/60 loaded ESP and it was terrible. It is a classic sound, but I like it the clean way. For recording, I generally found them a little low on warmth and texture in the distorted voice, unless I was playing crunch riffs and rhythm parts. "Up to then I had been playing Les Pauls. The Marshall Super Lead Model 1959 is a guitar amplifier head made by Marshall. The guitar is a Les Paul Custom, with the bridge pickup on10. Its hard to overstate how much of a cornerstone this amp is. Three separate mics per setting, two close and one room The undisputed alpha dog of rock and roll guitar amps, the Marshall 1959 Super Lead amplifier is as legendary as the music it helped create. Dont compromise with lesser rigs. From. Marshall 1959SLP 100-watt Super Lead Head at a Glance: The amplifier that led the rock revolution Not just another reissue Tonal bliss you can only get from a Marshall The amplifier that led the rock revolution Townshend, Clapton, and Hendrix, to name a few, all played the Marshall 1959 Plexi head. In 1962, he formed a band that became the Paramounts, later including Westcliff High School pupil Gary Brooker. You can take the recommendations of Terry Date, engineer for some of the greatest bands in the history of heavy music, or tweak and combine them in the 'custom' section, with a channel for each specific microphone placement offering pan, volume, and phase. Hey! White. I wanted to say this isnt bad at all. 2. The versatility of the 1959 (1959, by the way, being a model number rather than a production year), and the ease with which it produces fantastic harmonically rich sounds, defined a genre and a movement. With all the gain you could ever want, the JCM900 is an all-valve masterpiece. Click here to read our policy. All listed radios etc. The amp settings used for audio example 1. Inputs: Clicking on a Channel Input jack rotates between three options for each Channel Input "I then switched to Strat" he says. I have never owned a real plexi so I cant vouch for its authenticity, but I can say that I really enjoy this plugin. Two channels, a lead and a rhythm, each with both high and low gain inputs, can be combined (or 'jumped') for a wide-range of sounds. Other Intel processors (Celeron, Pentium, and Xeon) are compatible if they support SSE 4.2 instructions. ES-125? The first Marshall full stack was created for the Plexi. Although Marshall has never released an amplifier under the 'Plexi' moniker, the term is still used to refer to amps from the latter half of the 60s that featured Plexiglas panels (notably the Super Lead model 1959). Softube enlisted Platt to capture exquisite cabinet and microphone simulations using his Platinum-approved, tried-and-true mic recipes. thanks. It's a complete workflow for an amazing mix-ready guitar tone. Items must be returned in original, as-shipped condition with all original packaging.Learn More. Its just like having a real amplifier with a miked up speaker cabinet in a high-end studio with the added convenience of more options to patch in any kind of studio tool you need anywhere in the chain. The Plexiglas panel led to the name "Plexi", and while 50-watt models of the time are also called Plexis,[6] the 1959 100 watt model is generally thought of as the "definitive" Plexi. A 2008 world tour began in Ft. Pierce, Florida, on 16 January 2008. Thrash metal is visceral, energetic, aggressive. About This Listing. In 1967, the KT66 valves were replaced with EL34s, now synonymous with traditional Marshall growl and bite. We took Marshalls own museum-piece Plexi (a pristine model from 1967) under extremely careful security and supervision, and modeled each and every component to produce the most textured, detailed software version imaginable. Presence knob: 0 to 10 Clicking on a jack socket chooses which input you'll be using, and clicking again cycles you through the available input-combining options. He currently uses his custom-built Strat (made by the Fender Custom Shop) which comes in black, white, and burgundy. A faithful emulation of the Kerry King Signature amplifier, Marshall 2203KK a.k.a. Supported sample rates: 44.1, 48, 88.2, 96, 176.4, and 192 kHz, in both mono and stereo. All rights reserved. of course i could not resist to have this color fo creative purposes. Room Mic Solo switch: On or Off Mic 1 Solo switch: On or Off The Beast, Two Marshall Mode Four cabinets recorded in two studio setups and one live stage setup, The studio setups 'Studio' and 'Custom' are recorded by the famous producer Terry Date in Henson Recording Studios in Los Angeles, The 'Live' setup is recorded by Chris Paccou at Hovet Arena in Stockholm, Sweden, Over 25 finely tuned Kerry King-inspired presets that define the sound of Kerry King, Three different cabinet recording options: Studio, Live and Custom, 'Studio' has five different mix-ready microphone combinations to choose from, 'Live' has Kerry Kings live setup as one setting with two microphones and 'Custom' has seven different microphone choices to combine freely, The cabinets and microphone options are presented in pictures and graphics in 'Studio' and 'Live'.
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