The all-valve 2245THW is a hand soldered re-issue of the extremely rare Bluesbreaker head, based on the archetypal JTM45 head, which was the amp that began it all back in 1962. Use In to activate or deactivate each microphone channel, use Pan to place the microphone channel where you want it in the stereo panorama, and use channel fader to adjust the volume a microphone channel. Bassbreakers breakup much quicker and sound more tweed than Marshall, imho. By jumping the the inputs with a patch cable, youre able mix the darker and brighter channels together for all kinds of tonal variations. A distinctly modern sounding amp, with more gain on tap than the 2203 amps, and a bit more bass response, the SIlver Jubilee is especially lethal when paired with its matching 2551AV 4x12 cabinet. That was in 1965, when a young Eric Patrick Clapton requested that Jim Marshall make him a combo amplifier with tremolo that would fit in the boot of his car for use with John Mayalls Bluesbreakers. Its for those who want to just plug in and perform. As you would expect, the amp specifications for the 2245THW are identical to the 1962HW "Bluesbreaker" combo, minus the speakers of course. Introduced in 1964, the Model 1962 combo was forever immortalized on the strength of one album John Mayalls Blues Breakers Featuring Eric Clapton. The Super Champ XD takes 60s Blackface cosmetics and adds a library of sounds and digital effects, and is a fantastic compact option for practice and small rehearsals. Tried flipping to the medium and high power settings and they were way too loud. About This Listing. This item is sold As-Described and cannot be returned unless it arrives in a condition different from how it was described or photographed. Marshall Bluesbreaker 1962 comes with modules that are fully integrated into the Amp Room ecosystem and sound exactly the same as the native version of the plug-in. Loaded with Celestion Vintage 30s the first Marshall cab that used these popularspeakers. Crank the volume and tweak the Q for the best blues and rock tones. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. 2014 Brand New - FREE SHIPPING - BEST PRICE! Brand New Free Shipping 14-Day Return Policy Add to Cart Marshall "Popular" 1930 Combo Amp Owned by Deryck Whibley Of Sum 41 $4,000 $400 price drop $3,600 Oops, looks like you forgot something. I have a 2014 BB re-issue. The exception may be the JTM50. Really nice, crisp, round tones. As with the Bluesbreaker combo, the 2245THW features valve-driven Tremolo. but 1974x will not give you Bluesbreaker tones. It was dubbed BB by the users in reference to John Mayall and the Bluesbreakers. Owning the SV20h has kinda opened my eyes to the world Marshall (don't judge, Fender fanboy here) and it's capabilities. I said I tried it in front of the amp one time because it was a pedal made before there were FX loops and wanted to see how it sounded. Heres how it works. Four EL84 power tubes pushing out 30-watts in a 2 x 12 combo the concept will be familiar to any Vox fans. However, with two re-issued Celestion Greenback speakers its sonic characteristics differentiate it and give it that recognisable sound. With a Barber Direct Drive Compact I have all that TONE. The all-valve 2245THW is a hand soldered re-issue of the extremely rare Bluesbreaker head, based on the archetypal JTM45 head, which was the amp that began it all back in 1962. (Gibson QC issues). Nobody used the Trem on the old 1962, 1974, or Super Tremolos. A JTM45 in a combo shell, open backed, with a pair of 16 ohm Greenbacks, is a Bluesbreaker. (Thanks, guitarsimon), Marshall 1962 Bluesbreaker currently available from Andertons Music Co., Soundslive and PMT Online. Learn More, We understand the importance of online privacy and are committed to complying with the EU General Data Protection Regulation. Victoria makes some of the finest boutique interpretations of Tweed-era Fender amps on the planet. Maybe a Fender Super Reverb for singlecoils, and a Marshall Bluesbreaker or Silver Jubilee for humbuckers." yeah I was schooled a friend of mine about that which was great cause I want a 30w amp. Visit our corporate site. That tiny amp did everything. Currency: Guaranteed to win a MusicRadar office straw poll regarding amps most likely to induce misty-eyed GAS symptoms, Deluxes are just plain desirable. Please check the fields highlighted in red. I've ran that in front of the amp just to try it and had to have the level set on next to nothing. The Bluesbreaker was pretty quick to break up and had sort of a loose response curve; just think of Claptons work on the Bluesbreaker album. Softube is Marshalls exclusive software partner, and Amp Room comes with the only amps and cabs available in software form that are officially licensed and endorsed by Marshall. You know the sound of a 1957 narrow panel Tweed Champ better than you realise. Please check the fields highlighted in red. JCM 800; MG15; JCM 900; Code 100; Dust Covers; Fridge; T-shirts | Sign in | Main Menu. An amplifier head, the 2245THW, was reissued in Marshall's "Handwired" series, with circuitry identical to the Bluesbreaker. With the Marshall 1959 Super Lead Plexi for UAD-2 and UA interfaces, you get all the and hear for yourself the range of sultry, rich tube tones. (From Connor via Facebook, thanks), Marshall Bluesbreaker re-issue. Fully handwired, this is the most historically accurate reissue amp ever made by Marshall, and one of only 15 released in the U.S. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Choose between Dynamic/FET/Valve (Tube) each with 2 sets close mics and 2 sets of condenser and ribbon room mics. A JTM45 can get pretty darned loud. Marshall - Bluesbreaker, 2041 18-Watt combo."(Thanks, basspete) Buy: Marshall 1962 Bluesbreaker currently available from Andertons Music Co., Soundslive and PMT Online Marshall Home Amps Products Amps Vintage Reissues 1962 'bluesbreaker' John Mayall and the Bluesbreakers playing with Eric Clapton is what gave the 1962 'Bluesbreaker' its name. If you are looking for a white knuckle EL84 blues tone with real attitude that you can tame when required with the guitars volume control, a cranked AC30 Top Boost is the (very loud) answer. Oh, and its a little tone monster too. Plexi. This amp was in production in 1988 only. I'm considering the Marshall Bluesbreaker that's been available in the company catalog for a while now. Bored by your own guitar chord playing? You are using an out of date browser. The plug-in was component modeled down to the smallest details, resulting in flawless sound quality that will make you feel wonderful tonight and every night. (Thanks, Clecko), "Can't go wrong with a Fender Blues Junior or a Marshall Bluesbreaker." With all of these options, you can mix your ideal sound right there in the plug-in. (Not Bridge Pickup). I use it in the loop exclusively. Learn more. 68 Location White Mountains I'm not talking about the Code 100, I mean a serious 1962 Model Marshall Bluesbreaker - a total game changer for the Amplifier I consider "the Icon of all Icons". big mike InkStained Both of us were delighted when suddenly the ghost note appeared on a long sustained bend and the access to that very special tremolo guarantees that this amplifier will get used on more than just guitars!". The all-valve 2245THW is a hand soldered re-issue of the extremely rare Bluesbreaker head, based on the archetypal JTM45 head, which was the amp that began it all back in 1962. Based on your location, we've changed your settings: Shipping Region: The tonality is different, but still great for blues and rootsy rock styles. Marshall - Bluesbreaker, 2041 18-Watt combo. Are there any echo/delay pedals that work well in front of an overdriven amp where the echo doesn't get distorted and volumized? From my research of Marshall serial numbers is, that, it was built in England in 1997 around August or September I believe. Hello, for sale is a new in box Marshall Bluesbreaker 1962LE 50th Anniversary amplifier. 3. Dont be fooled by the model number 1959, which does not refer to the year of manufacture. Its the GZ34 rectifier that helps create the sublime output stage compression and clean sustain associated with the Bluesbreaker head. (thanks, rabbitrabbit), Fender '65 Deluxe Reverb currently available from Andertons Music Co., Thomann, Soundslive and PMT Online, Connect with MusicRadar: via Twitter, Facebook and YouTube, Get MusicRadar straight to your inbox: Sign up for the free weekly newsletter. We love VU meters,Bakelite knobs, andanalogquirks. Used - Very Good. Had to move to 2203 and 2204s especially when we started giggling as overall volume is easier to control. You decide. If I recall rightly JHS did a YouTube video where they compared the various Bluesbreaker pedals to a 1962 combo. Its the GZ34 rectifier that helps create the sublime output stage compression and clean sustain associated with the Bluesbreaker head. I know there is more power in the EL34s, and that EL84s get spongy when pushed, but the Bassbreaker has to have more of that British-style drive based on the EL84s. Two-Rock amps are up there with the best that the boutique amp world has to offer. Capable of providing subtle boosts, clear headroom and bags of character, rediscover the . The JTM 45 became the basis for many subsequent Marshalls, most notably the Marshall 1962 combo (later referred to as the "Bluesbreaker" due to its use by Eric Clapton with John Mayall's Bluesbreakers ). The model numbers usually have little to do with the wattage. Everyone should experience it at least once (Thanks, BlindLemonAde), Marshall Bluesbreaker - sounds of The Beano Album, not a saturated mushy overdrive but valves and speakers being driven hard. (Thanks, AlexHunter), "If you must settle on an amp, it depends on the guitar really. Platt recorded the cabinet with 3 types of microphone combination settings, each with 4 sets of microphones, all carefully selected to give a wide variety of tones andpositioned to sound fantastic when used in combination with each other. Click the wood panel on the right with the green Channel Strip sticker, and a channel strip appears with options to help you blend and tweak your sounds until theyre mix-ready. Explore. For all the plethora of Boogie amplifiers these days, its the hugely versatile Mark Series that began with the Mark I way back in 1972 that still best epitomises the small amp, high power, huge tone philosophy on which the companys reputation was built. I did not care for the origin at all. He doesn't use it to play blues very often, but he could if he wanted to. Head box in overall good condition, with some marks / scuffs / touch ups as seen in the images. And while the EQ complement of presence, bass, mids, and treble controls allow for subtle tone shaping, the key to dialing in the Super Lead Plexi is by jumping the input channels and blending Volume 1s bright sound with Volume 2s bass-heavy, darkertone. It cleans up great, and I have a feeling the Origin will clean up too. Just IMHO of course. Your purchases also help protect forests, including trees traditionally used to make instruments. MyMarshall | Local Retailers | EN|GB | Search. Bath If I was the op Id avoid the Bluesbreakers, too expensive and too heavy. Some of you kicked and screamed and got up in our faces and said that this was a pointless exercise. As with the Bluesbreaker combo, the 2245THW features valve-driven Tremolo. This is for those players that love the deep and bassy sound of blues rock. Confusingly, 1962 is the model number, rather than the year that this amplifier was born. I'd hesitate to say that mine sounds like a Plexi. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Front gold plexi panel in good condition with a little tarnishing . My JTM45 is a fairly new (2017, I think) reissue. In 1999, a second version of the amplifier, the Bluesbreaker II, was released, with 5881 tubes. When you purchase through links on our site, we may earn an affiliate commission. Storming to the top of our chart thanks to your votes is Fenders 6V6-loaded, 22-watt tonal giant. I can get edge of break-up jazz tones all the way to the live Van Halen tone using the EP booster and some echo in the loop. The trem on the Bluesbreaker is very weak, and to be honest something that I've never used, because it just doens't get anywhere near the quality of the trems in Fenders. Its just like having a real amplifier with a miked up speaker cabinet in a high-end studio with the added convenience of more options to patch in any kind of studio tool you need anywhere in the chain. It's warm, jangly cleans, very touch responsive - wind-up the volume and stick a treble boost in front of it and it's incredibly versatile." JavaScript is disabled. I wonder if an 18 watt with a single 15 would have enough bottom end. $4,250. I play some jazz too, and you'd be surprised out of the jazz tones I can get out of a JCM800 using the guitar volume knob, EQ, neck pickup, and some ambience. Splits up the weight and makes it more manageable. Future Publishing Limited Quay House, The Ambury, Any preferences? (Thanks, AlexHunter), "Small amps sound the best to me - got two AC15s and thats my blues tone right there." But still have the 45. . Marshall Trem is terrible. Back in 1968, Marshall built the now-legendary 1974. Brand New items are sold by an authorized dealer or original builder and include all original packaging. Marshall 1966 JTM45 Super Tremolo MKIV (Bluesbreaker) Head Black / Green Fleck. "(Thanks, basspete), "Blues DeVille, cracking amp." but it is 420v anodes and 3.4k OT so well over 50w before clipping. The alarming aggressiveness and snarling sustain Clapton conjured from his Les Paul Standard/Marshall setup was startling, and became ground zero for god-like rock guitartone. It is my least used amp but not too heavy. Essentially it's a JTM45 2x12 combo (the 1962) with a tremolo added. Its the subtlety of the tones that the amplifier delivers that we set out to capture and thanks to the quality of the plug-in modelling every aspect of this iconic amplifier as available. A JTM45 in a combo shell, open backed, with a pair of 16 ohm Greenbacks, is a Bluesbreaker. Deal breaker for me was incurable noise in the FX loop - the factory mod to correct this had already been done, but I still found it too noisy. (Thanks, stringkiller), "I now use a Fender Super-Sonic which give tones in the Bassman and Vibrolux ballparks as well as great overdrive channel which covers a lot of bases. VERY NICE!!! . JCM800 Reissue (or a Marshall Studio Classic 20W head with FX loop) is the s*it. Considered akin to a pint-sized Bluesbreaker, this exquisitely handwired 18-watt tube combo amplifier delivered a rich, British-inflected sound that was tailor-made for the studio. I think it'll keep up with most drummers. For a better experience, please enable JavaScript in your browser before proceeding. Famed for its three-dimensional tone, with a price tag that places it out of the reach of most apart from touring professionals and well-heeled amateurs, its the perfect amplifier to give voice to those hard time investment portfolio blues. My 18w is very bright and has a harshness to the distortion I cant dial out. By adding this cascaded gain stage in the preamp, and not relying solely on the power tubes for grinding tones, Marshall introduced thick saturation that was somewhat controllable thanks to the amps mastervolume. $5,000 $750 price drop. Amongst the most-recorded studio amps in history, the Deluxe Reverbs modest power stage is perfect for driving hard on club stages, but deceptively loud nonetheless. I got Reeder Mod (#1) done on it which simply opens up the highs on the drive channel. (First Marshall reissue model, late 90s.) Two options which are similar but lighter. The Model 1962 was the first combo amplifier by Marshall, with an open back combo cabinet that features two of the 12 T650 speakers by Celestion. I was just looking at delays. "The larger amps, Hendrix 100W Marshall, Soldano 100s, Dual Showman, Twin Reverb, Super Reverb (a big US favourite) are a blast - if you're playing to large audiences. The latest, master volume-equipped production model is the AC30C2 2 x 12 combo, but there are more old-school configurations available too courtesy of the Heritage Collection. Oops, looks like you forgot something. Series 2 Cabinet (Thin lipped / cased cabinet as Per ECs Original ) This amp has a level of complexity to it for these types of tones (with my Strat) that I can't get out of another amp (like my Egnater). (Thanks, gregjones), Tricky one this; I've used myriad amps for blues over the years. As is customary, Matchless offers various configurations and custom cosmetics. Eddie Van Halen on VHs classic first five albums? If money isnt an issue, check out the EL34-powered Matchless King Cobra. I have pushed the 20 and 50 Origins, and they sound great loud! The original unit from the museum we used for this plug in is a pure piece of history and heritage which exudes bags of amazing tone. Is there any way to add internal reverb to the 1962 HW without screwing up its "base" tone? "Man, that little thing really boogies! Looking for something I don't remember what. By continuing to use Reverb, you agree to these updates, and to our cookie policy. Not the dirtiest of amps but blues is about dynamics and feel." I used to own a completely stock bluesbreaker that I couldnt sell fast enough. While I certainly wouldn't mind the trem, I guess it isn't a deal breaker. Its a beautiful-sounding amp with glorious dynamics and a gorgeous onboard tremolo circuit. The Main Out Volume sets the overall output level of the plug-in without affecting the sound. Also included in Amp Room: Marshall Edition, Marshall-stacked, value packed. (Deep Dive), 90's Bluesbreaker reissue convert to head or not sounds great as is. Im hoping its the sweet spot. But the biggest difference is the JMP 2203s master volume and Pre-Amp volume controls. Sometimes less is more. (Thanks, toyhouse), Hmm Blues Junior is nice, Pro Junior would get a vote if it had reverb. KT66 ouput tubes and a GZ34 rectifier with 8k OT and 450v anode voltage. Or at least an effects loop, so I can put an external reverb in it? As you would expect, the specifications for the 2245THW are identical to the 1962HW Bluesbreaker combo, minus the speakers of course. And heavy. Your purchases help youth music programs get the gear they need to make music. Watch this gear and we'll notify you if it becomes available again. As with other Marshalls in late 60s they went to 50w designation with EL34s and after a while dropped the GZ34 (my 68 is EL34s and GZ34) I've not scoped it or measured output (maybe I should?) JavaScript is disabled. JavaScript is disabled. In 1991, Marshall began making a guitar effect pedal that was intended to emulate the sound of the original combo. Tried a Bluesbreaker for awhile. I have played the 30 Watters, originals and repros, many times over my life, but never an 18W version. *SHOP DEMO! The Bassbreakers may get a buy from me though for a rehearsal combo that just sounds plain good. The petulant upper-mid roar and weighty lower-mids of the Marshall Super Lead through a Marshall 4x12 cabinet is a foundational timbre for rock rhythm guitar, as fail-safe and full of dynamics in the studio as it is onastage. This attracted Marshalls interest and led to a successful long-term partnership between Softube and Marshall. Kirk Hammett: Maybe the age of active pickups is over. Video demo now live. Hey! This 2x12" combo reissue has the legendary deep blues tone created by the GZ34 valve rectifier, similar to the JTM45. Over the years, other Jubilee users of note include John Frusciante of Red Hot Chili Peppers, Alex Lifeson of Rush, Steve Morse, and JoeBonamassa. Weighs a ton, but this is the Voice of God. On the amp, there are . TheBluesbreaker 1962plug-in is a precise emulation of the reference unit from the Marshall museum, with the true sound of blues and rock & roll component modeled to the smallest details. As you would expect, the specifications for the 2245THW are identical to the 1962HW Bluesbreaker combo, minus the speakers of course.
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